As an author, I want to thank

Mathieu Chomette, graphist and multimedia designer for

  • the time spent on the phone explaining me how ALEPH should work according to him, and what I retained
  • the re-design of the color look and the various graphisms omnipresents in ALEPH
  • his support by his incredible energy to criticize
  • his permission to use his account and his disk space at his Internet provider for my own pages

Visit his company's superb site, La Forge.

Nicolas Ciuchindel, all purpose designer, presently in watches and jewlery, last among the ALEPH evangelists for

  • his personal investment
  • his brand new viewpoint on my program
  • his will to make it widely known

He is the author, among others, of the cut sapphires in the page about the rendering. Visit his site full of other images.

Gilbert Drouvroy, illustrator, probably the first one to use ALEPH for very big images and complex models. He's been the fastest one in learning the modeling process. He too has his site.
Christian Marcon, industrial designer, my first client (when ALEPH was published). His field : flasks.
Michaël O'Shea, computer scientist, who wanted to model objects that would look like nothing ! (but they always looked like something known)
My employer, Alsoft, and specially the boss, Eric Lanzi, who let me work part time for him in order to work for ALEPH too.
Many other people around me for their encouraging and ideas.

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